Billion Year Spree – further thoughts


Just finished The Neried. About myths, legends and homelessness; set in Blackpool.
Just started Core. Set in the core of the Milky Way, in the Galactic Bar. Explores aliens —lots of aliens —sexuality and that kind of thing. ETA: unknown (but as it’s set 30 Galactic Years back I should be, maybe, using something different than ETA as that implies future 🙂 🙂 ); length: unknown —I’ll see how things hang after a few trial chapters.


Back to Billion Year Spree

From a world of ignorance and savagery to light
From a universe in which no one knows anything to one in which Godly awareness and foreknowledge is just the first step. Check your bearings.

The development of SF is in some ways analogous to the growth in understanding of Western Man.

The first step.
└─> Outside your field of view a gift
– to bring us into their power
– or to make us something stunted / locked / harmless

Worth exploring and probably, in the long run, relevant. So…

Do we really understand the consequences of no longer being unique, of this universe being the the hunting ground of creatures much older than us, who have survived? …or do we prefer pleasant fantasies – Earth Strikes Back, Earth Wins Again, Human Federation Goes Forth and Promulgates (a TV soundbite) Motto of Peace and Prosperity…


Screw the philosophy, this is about content.


My younger self listened with interest to the blandishments of the likes of Brian Aldiss, Michael Moorcock and New Wave Science Fiction in general. At that time it was clear that they were on a serious endeavour and my reactions were most of the contributors to that long ago project couldn’t write – never mind they’d slung random words together that were variously offensive, experimental and sometimes offensive and experimental – little of it interested me.
With the virtue of hindsight I see that that long ago movement had a point – it’s also pretty obvious than many of the (enthusiastic) participants made horrendous mistakes which in turn had a seriously negative impact on British SF¹… you can learn from the past, you can’t unpick the consequences, but still I’m drawn to those long ago prophets of change, so back to Billion Year Spree.

Billion Year Spree contents

Billion Year Spree contents (scanned)

Much of Spree (i.e. Aldiss’s Billion Year Spree) considers what came before SF. “What did writers of the past write about? Come on, dad, you’re old, you know the answer.” In reality I don’t see the average kid asking that kind of question even though I was little more than one when I got my copy. Yet this is of more than academic interest because it’s a sign of our long ago preoccupations. What content pre-SF authors were delivering? Each chapter in Spree dwells on a particular theme – from now’s perspective, I lump them all as fantasists (it’s pre-SF innit?) but to give a flavour, here’s the chapter titles for that early stuff:

1 The Origins of the Species: Mary Shelley
2 A Clear-Sighted, Sickly Literature: Edgar Allan Poe
3 Pilgrim Fathers: Lucian and All That
4 The Gas-Enlightened Race: Victorian Visions
5 The Man Who Could Work Miracles: H.G. Wells
6 The Flight from Urban Culture: Wells’ Coevals
7 To Barsoom and Beyond: ERB and the Weirdies
8 In the Name of the Zeitgeist: Mainly the Thirties

Yep – it took 8 chapters to get going  – The last three chapters go on to deal with Campbell’s Astounding, the 50s, and the 60s and constitute 45% of the book by page count. Given the obscurity and unremarkable nature of the early works considered, this is probably wise.

I’ve always wondered why significant inputs of contemporary works were neglected, e.g. Heinlein, Zelazny, Norton – these authors were huge in the marketplace. A serious literary appraisal can’t fail to notice what is going on; favourites are being played. There’s an implied irritation with American authors; whether conscious or not, it shows through. In addition the decision to ignore success is at best wilfully perverse. As a contrast consider how Spree glosses over the troubles of Moorcock’s New Worlds. The causes of those troubles were well-known then and self-inflicted; Moorcock and his self-appointed literatii set out to give offence. Why gloss over this given it had significant commercial repercussions? New Worlds magazine, Moorcock and others paid the price…
Those last three chapters could have been more even-handed, and useful to would-be authors by showing what’s required to be successful; e.g. Heinlein’s books sold well –they were right up there, even getting onto the New York Times best seller list —he had a proper agent/publisher deal. As a result of this his works were better reads on many levels. A poster boy for success in the world of SF writing. Yet there is a drip, drip of venom directed at Heinlein. An anodyne reading of this might be:

Watch out

Billion Year Spree is on a Crusade: No Prisoners……

Peer through the venom and there’s no justification leaving you to wonder whether the real substance is misplaced literary jealousy. Contrast that to the authors lauded by Spree… Dick, Moorcock, Ballard… a cornucopia of self-destructive, maladjusteds, (but you have to look in other places get a ringside seat).
As in fiction, the most plausible explanation is the one that makes sense: jealousy at success (a very British character trait) and intellectual snobbery. I’ll go with: my point of view is perfect, stop bothering me…  most do.

This —a partial survey of then prominent writers, glossing over success when it could analyse what works, offering generalisations and (in Heinlein’s case) nit-picks, as justification —becomes a central flaw to Spree.

Ragged-trousered art critic asserts that success isn’t important.

Hmm. Try telling that to the wives and families of failing businesses. A failed publisher employs no one, least of all, authors. For failed publishing ventures refer to New Worlds.

New Worlds 8

New Worlds 8, Editor Hilary Bailey
Sphere Books, 50p, 1975 edition
Cover artist: Patrick Woodruffe

Interesting fodder for the eternal question: Where next in SF?

A motto for the human race:  our point of view is perfect, stop bothering us, could yet explain the need to the genre to rethink itself. Take the reaction to Ace Books celebration of the first lunar landing. What does Spree dwell on? We’re worried about going into space because we’ve a nasty streak:

WE HAVE THE BOMB!!!

Oh my goodness; if anything is out there it’s unlikely ‘the bomb’ would give cause for concern. One might as well say: “Wee’s reeli bad peepuls and that’s our history ‘cos we jes’ worked it out and it’ll get writ real large in space ‘cos we’re all there is… ‘cos we’re definutli da pinnerkill of civilisashional attaynment.”

Worthy of a brief chuckle.

…to be continued (with a brief peek at Timarchy)


¹ i.e. the demise of New Worlds Magazine, the then preeminent forum for British SF

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Billion Year Spree – a retrospective


When I start a new piece my first consideration is theme. If it’s not SF I generally launch straight into it, knowing it’ll be out of the way in a day or two.

SF poses additional considerations, for example what, exactly, is it going to be about? Have I read anything similar or, if not, am I drawing from general wells of inspiration provided by works such as Billion Year Spree, Hell’s Cartographers, Visual Encyclopaedia of Science Fiction, New Maps of Hell, Who’s Who in Science Fiction

Like many teenagers, my youth was marred by lack of money and even less wisdom. When I could I bought anything to do with SF, including the above. In his introductions to the Spectrum Collections, Robert Conquest makes the point that as the genre deals with areas outside the scope of conventional fiction, the literary conventions for normal fiction should not apply.  This poses the question: what is the legitimate purpose of the genre. The answer to that changes, depending on what’s in vogue – SF is no less prone to fashion that other genres.

To go back to ‘legitimate purpose’ I find it instructive to revisit those long ago surveys of the genre and I am currently dipping into Billion Year Spree

First UK paperback publication: Corgi SF Collector’s Library, 1975.

Cover to Corgi SF Collector's Library edition

Cover to Corgi SF Collector’s Library edition

Tolkien is contrasted with Peake with an extract from each.

Peake says little, filling his character with the self-regard so prevalent in the literary outputs of yesteryear.

Tolkien progresses the action and briefly dwells the resonance through dream.

Tolkien is more direct whereas you feel Peake is close to breaking into a paean of all the words he knows on a theme. In many works this is a sign of all too prevalent Thesaurus Gambit; the writer throws a list of everything that could be found in say An Exotic Market, in hope of conveying Exotic to the reader. This tendency isn’t confined to the genre; attendees of Writing Groups pay heed please.

The critique of Heinlein is hilarious – “(an adroit way of dropping in) a telling detail”  err Brian, that’s writing in the here and now; Dickens detailed characterisations, with high wordage levels splayed out over pages and pages have their market – most of which has long since passed beyond the pale.

What’s more important, character tick boxes or action? It’s a matter of taste.

That’s not to say that Billion Year Spree has no value – indeed for the purposes of orienting, one considers the editorial pitch, looks at the array of books considered, assimilates and moves on. It’s worth, however, taking a shot at books you’ve already read and this is where it gets easy to pick holes in Aldiss’ Spree. It’s almost too easy. You have to remember we each climb the mountain by using the endeavours of others.


Note on  Corgi SF Collector’s Library

The Library was in limited to works published by Corgi so in an irony of ironies: no Philip K Dick, Ursula K Le Guin, J. G. Ballard or other luminaries of the time.


Here’s my Goodreads review

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Back Catalogue


It’s time to go through stuff. I’ve shedloads, literally: comics, SF paperbacks, & Fantasy, Penguin Classics, PC Games (in their boxes) etc.

This time it’s my back catalogue. When you go to writing groups you, almost invariably, get a writing prompt.

“Write something about this word I found on the net; come back next time and we can have a jolly laugh at the frustration it caused us.”

Some things you don’t finish, there isn’t time.

“Have you anything to say?”

“Write what you know.”

It’s that or… well finish what you started with the prompt. They’re a waste of time. If you haven’t anything too say, what’s the point of a random narrative you’ll never finish. How about a carefully crafted poem that looks like a shape, or is produced to a pattern?

“Ooh look at this. It’s got 15 lines and if you look at it sideways through a mirror, repeating the Lord’s Prayer backwards, you can see something crawling out.”

Yep, more creative writing to a nice easy formula. Sounds familiar, mechanical and dreary. Do your best to avoid getting sucked in.

The are some areas where a mechanised approach is essential, my poetry… indeed most of everything I’ve done is tabulated. It’s in Excel: Unfinished Schedule.xls. Rather than explain why – kinda obvious – I thought I’d note the categories I use for analysis.

  • Status: There’s all sorts of considerations for this: is the work aborted? / to redevelop? / a fragment-chapter of a longer piece? / the most recent fragment (and thus the one I am working on)? / completed? (a, d, f, l, c)
  • Year – self explanatory
  • Timestamp – when I last worked on a piece
  • Wordcount – self explanatory
  • Expected length – how long’s it gonna be
  • Title: of each respective fragment-chapter
  • Story – the writing process gets broken by attending writing group but I do actually write stories 🙂
  • Genre: Anecdote, Children’s, Detective, Dystopia, Fantasy, Historical, Humour, Poetry, Retro, SF… I find it worth identifying significant sub-genres. This is great for tracking down those bits of unfinished whimsy e.g. a pantomime I once started – The Glass Slipper – my only attempt (so far) to do something from stage.

Finally I have a marker to make sure I know what’s self-published and what’s in the locker. Keep on top of your catalogue and know where you are.

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I Hope the EU Fixes Itself


Don’t rejoice in Brexit failings. We remoaners must shape the future

(says Zoe Williams in the Guardian)

Juncker is the compromise candidate propelled to to prominence. There is plenty unremarkable about him as well as some murky areas that his supporters would rather remained murky. The debate on the merits or otherwise, of EU membership, was overwhelmed by meaningless soundbites. I didn’t expect a reasoned argument for staying in and Cameron didn’t disappoint. The fundamental challenges facing the EU won’t change and neither will the stance of those that lead it. UK is the voice for reform and it has left, long time followers of this issue will recognise this. It’s not all sweetness and light out in the wide world. The UK has advantages shared by few other EU member states (which goes without saying).
By morphing into a political project, the EU has triggered its doom. All empires fail. The fall-out from that will be horrendous. I hope the EU fixes itself — better it remains a point of aspiration. I’ve long maintained that there’s a case for an halfway house between the EEC and the EU… the process by which the nations and peoples of the world leave the shadow of despotism / autocracy / self-destructive zealotry of social upheaval / rule of religious bigotry, takes a time that’s measured in decades and longer. Those who want to move from there to here i.e. to democratic & economic freedoms, need a template. A model that works.

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The Last Library


Finally coming to the end of this. Back in December 2016 I expected it to max out at about 6k words; it’s now over 20k. Phew.

It concerns a wannabe librarian, fallen angels, civilisation forced to live by the rules of art, a Supreme Being (just don’t call him God), WelteMenn (men of the world)  and odd bits of dystopia.

Am still writing.

Nearly at draft.

Genre: Fantasy / Dystopia / SpecFic

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How real books have trumped ebooks


Has the Guardian identified a publishing revival?

The Guardian | Books | 2017 | May | 14: How real books trumped ebooks

Atmospheric: the Daunt Books branch in Marylebone, London.

This article has plenty of anecdote but is short on hard data.

What do I expect?

Units shifted, sales + margins, the author’s cut. Strip out the JK Rowlings — do a little market segmentation, show where e-books sit. While you’re on with that say something about how, by gaming Amazon’s book metrics, the traditional publishing model is hollowed out.

Is it equilibrium or just a brief respite?

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China’s Xi lays out $900bn Silk Road vision amid claims of empire-building


China lays claim to the world’s biggest project

The Guardian | world | 2017 | may | 14 | China’s Xi lays out $900bn Silk Road vision amid claims of empire-building

A Chinese flag flies over Tashkurgan, a tranquil frontier town on China’s border with Pakistan, which is bracing for change as President Xi Jinping kicks off what some call the most ambitious development plan in history, the ‘Belt and Road initiative.

This could  fundamentally change the pattern of  world trade. There are big challenges but, other things bring equal, this could mark a high-water mark of containerised ocean going freight. A significant side effect will be the impact on Central Asian economies which could be very significant.

An intriguing idea. I used this as part of the backdrop in Erisse of the Illyany.

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Man Cannot Survive on Mobile Alone.


For Xmas my eldest bought me a smart mobile. I’d been struggling along on my ailing Nokia. It held battery charge great but internet connectivity was a chore. I didn’t bother. Other things being equal I was quite open to the idea of getting a smartphone. The one he got me was a HTC Desire 530.

The big gripe about smartphones is battery life (& unwanted screen activation & fiddly text handling & invasive browsing experience but those are further down the gripe experience). The big embarrassment is commenting. Anything beyond a snappy sentence becomes a marathon; might as well not bother. I tried various ways to engage – it’s just not worth it. I put this down to CKS (crap keyboard syndrome) Even my laptop suffers from this – any serious typing won’t work unless you have a decent keyboard. Laptops (mine’s an Acer Aspire ##something-something-something##) have the magic of a touch pad which, if you accidentally activate it while reaching over in order to type, becomes a dead weight in which you’re constantly fighting with the touch pad’s desire / aspiration to activate the mouse pointer.

In the middle of a word? Activate the mouse pointer, quick, quick, so your typing is shared more equally among open applications.

Anyway, I finally got my old PC up and running following a disastrous move some six months back, and onto the net.

Here’s the proof:

Yippee. Life isn’t prefect but it’s a sight better than faffing about, all clumsy fingers, on my mobile or laptop. All I have to do now is decide whether to backfill all the crap I put out since September 2016

Because I’m like that, here’s a better view of Thomas Lessman’s Eastern Hemisphere, 400 AD.

Eurasia 400 AD, after Thomas Lessman - get it and drool

Eurasia 400 AD,
after Thomas Lessman

 

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World leaders congratulate Macron on victory as EU breathes sigh of relief


M Macron

What is Macron’s remit: France or the EU? He’s President of France, has a lot to say about the EU, and as an elitist product of the French system, he’ll be imagining all he can do with his power.
Emmanuel Macron arrives at Downing Street for a visit in February

So let’s see what he can fix in the EU:


• CAP reform? Nope, can’t see him stopping France from grabbing the lion’s share of CAP. However, something outside his power: Brexit will finally put an end to the EU’s (over-) fishery policy.

• Migration crisis? Merkel’s rash promise – on behalf of others as all politicians do – is already made. A constant flow if migrants is still seeping in despite the deal with Turkey to shut the door to the East. The merits of Merkel keeping her trap shut are considerable – yet how can he affect this, he is merely French President.

• Club-Med nation state debt (Greece / Portugal / Italy / Spain)? Dealing with this means either mutualising debt or debt forgiveness. Even if the EU are busy with catchy ‘more EU’ slogans like ‘let’s all do away with the nation state so we can all be happy together’ sorting nation state debt means persuading the German public to cough up; not in Macron’s remit.

• Long-term unemployed in Club-Med countries? Just like Club-Med debt, Macron might hop about and make a noise or two but has the effectualitée of a frog.

Does Macron comprehend the audit issues surrounding EU books? Does he understand audit? Hmm (see also mutualising debt)… the particularities suggest this is above his pay-grade. Perhaps we should look at his remit as French President and thus problems closer to home:

• Communities that don’t integrate…. surprise, surprise the UK is seen being better at this than France… and it’s an issue we’re fed up with, an issue that’s helped drive Brexit.

• How about jobs being exported – leaving pockets of poverty in France? Well Macron is a globalist; he’ll be preaching about how the hidden hand of economic mysteriously gifts jobs. No answers though (apart from ‘tough luck’ for those put out of work). Here we close in on Macron’s credentials which rest on glib words, sound bites and no experience.

07/05/2017 was flag waving day. France is saved, the EU is saved, everything is saved as if by stage pantomime. The réalité is the EU needs to reform. Reform: ugly word implying management and controls. Yet that would-be agent of reform, the UK, will soon have left. Reform is what the UK wanted and reform is what Brussels resisted. What are Macron’s reform credentials? Something to ponder.

Oh and the terrorists are quaking in their boots.

Image result for supporters of macron celebrate

It’s notable that the Guardian (from which the first image is drawn) has love-bombed the result but prevented comments. You can get stuck into their coverage at: World leaders congratulate Macron on victory as EU breathes sigh of relief

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CWG 2015


I am currently working on the long delayed 2015 Anthology by CWG (exiles of My Telegraph). The anthology will contain 36 of their best stories taken from from their 2015 series competition. CWG are a net based writing group, their early existence is due in no small part, to the innovative blogging platform maintained by The Daily Telegraph between 2007 and 2016. The writers have a get-together every so often – in this way they confirm the fact that they aren’t merely figments of each others’ electronic dreams.
Peter Barnett has written an introduction, the book comes to 284 pages (70,000 words) and it features the following contributors:

AmericanMum,
Araminta,
Atiller,
Capucin,
Chester_Goode,
Danthemann,
ExpatAngie,
FizzeeRascal,
Gazoopi,
Giselle,
Lostinwords,
PavlovaQueen,
Ponsuda,
Seadams
TurkishJenny
and finally (under my net name) Archietp

The book cover is based on pictures from Sabina Ahmed; here’s a peek:

Back cover courtesy of Sabina Ahmed

courtesy of Sabina Ahmed

Front cover of 36 Short Stories 2015 by CWG - exiles of My Telegraph

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